About

Nabila has worked as a broadcaster hosting Press TV’s flagship discussion series “Women’s Voice,” and presented on a community radio series “Talk Back” championing Muslim female role models in Britain.

She has contributed opinion articles and reviews to several publications such as Khaleej Times, AltMuslim, Emel, International Woman Month, Inside Desi  and explored issues affecting women, ethnic Minorities and Muslims

In 2008, Nabila launched the news club “The Full Picture” which is growing network of women in central London who gather to discuss the issues making headlines on a national and global scale.  She also contributes Socio-Political thoughts on “Word Play” website.

Ventures inspired by a career of playing with the written and spoken word.


The Full Picture is a news club that brings together a network of female thought leaders with the aim of discussing issues that make headlines on a national or global scale. The discussions are thought provoking, stimulating and robust with the aim of involving more women in the pressing issues of the day.

Regular contributors include individuals from various media outlets including, The New Statesmen, The Guardian, The Independent, Channel 4, and Press TV. The Club also attracts contributors from corporate, think tank and NGO backgrounds.

word play |ˈwərdˌplā| – noun: the witty exploitation of the meanings and ambiguities of words, esp. in puns.

Word Play blog, first published on an online platform in 2008,  incorporates the literary technique of spoonerisms, puns and rhetoric and applies it to the analysis of stories in the daily news cycle. The result is an exposé on the often unspoken subtext, questions and championing an alternative view point.

Its policy is to challenge agendas and in the process has become a voice for minority voices such as women, ethnic minorities and Muslims.

In 1900 Eastman Kodak introduced the snapshot phenomenon – a photograph shot quickly and spontaneously.

What may appear imperfect and out of focus, “Word Play” will utilise the power of the written word to frame the human eye to look beyond the “kodak moment.”